By Brendan Dooley
A bed Maker's Daughter richly illuminates the narrative of 2 humans whose mutual affection formed their very own lives and in many ways their occasions. in response to the Renaissance legend instructed and retold around the centuries, a lady of questionable popularity bamboozles a middle-aged warrior-prince into marrying her, and the relatives takes revenge. he's Don Giovanni de' Medici, son of the Florentine grand duke; she is Livia Vernazza, daughter of a Genoese artisan. They stay in luxurious for some time, faraway from Florence, and feature a toddler. Then, Giovanni dies, the family members pounces upon the inheritance, and Livia is compelled to come from riches to rags. records, together with long-lost love letters, display one other tale at the back of the legend, suppressed by way of the family members and forgotten. Brendan Dooley investigates this principally untold tale one of the quite a few settings the place episodes happened, together with Florence, Genoa, and Venice.
In the process explaining their unbelievable liaison and its effects, A bed Maker's Daughter explores early smooth feelings, fabric tradition, heredity, absolutism, and non secular tensions on the crux of 1 of the good differences in eu tradition, society, and statecraft. Giovanni and Livia exemplify altering options of affection and romance, new criteria of private and non-private behavior, and rising attitudes towards estate and legitimacy simply because the age of Renaissance humanism gave solution to the tradition of Counter-Reformation and early smooth Europe.
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Extra info for A Mattress Maker's Daughter: The Renaissance Romance of Don Giovanni de' Medici and Livia Vernazza
Giovanni had good reason to expect a major role when the famous occult philosopher sought temporary refuge in flight from the Neapolitan inquisitors in 1592. His shared interests were well enough known, and he may well have been consulted (as he had been in the case of Galileo) concerning the possible appointment to the faculty at Pisa, which prompted Ferdinando I to make the first inquiries with the Florentine ambassador in Naples. If not for him, would the court have known about Campanella’s situation in those last months in jail, confined on well-â•‰ founded suspicions of commerce with the devil?
Giulio Caccini, Chiabrera’s fellow member of the Florentine Camerata, provided the music, while Don Giovanni Â�supplied the intermezzi, adding variety entertainment between the acts. â•‡â•‰Peter Paul Rubens, The Disembarkation of Marie de’ Medici. ”71 For transporting Maria to Marseilles, Giovanni served not only as master of ceremonies but also as the queen’s personal protector. And if the official list numbered over two thousand accompanying well-â•‰ wishers just for the journey to Leghorn, the number that set sail was much more.
Around San Niccolò the river flowed by a massive old guard tower marking the city wall, and in the hottest weather, merry groups of youths struck athletic poses or sat on the short partition, dangling their feet in the mill run that followed the family business 14 the river. His father’s very presence guaranteed a well-â•‰behaved crowd: this rite of passage by the youngest son deserved a respectful audience. Next came a fatherly taunt: did he know how to swim? ”1 If Giovanni was terrified, he seems to have put on a brave face.